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Macbeth
Act I
Act II
Act III
Act IV
Act V
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Macbeth Act IV
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Summary Act IV Scene 1, 2, 3 | Glossary Act IV | Quotes Act IV | Interpretations | Questions & Analysis |
Quiz | Journals |Creative Writings |
Critical Analysis
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Illustrations &
Bibliography
Summary -By Xi Cao &
Hang Chun Ke
Summary for Act IV, Scene1, 2,
and 3
In Act IV, Scene 1, because of the
emergence of Banquo’s ghost, Macbeth decided to revisit the Three Sisters
about his future. The witches called up three apparitions to predict it.
These apparitions told Macbeth that there would be no one to emulate him,
“...for none woman born shall high Dunsinane Hill shall come against him”
(Act IV, scene1) Macbeth was pleased about this prophecy. However, when he
saw eight kings and all of them resembled Banquo, he perceived that his
nightmare would soon come true. Considering that Banquo’s descendants
would be the kings of Scotland after him, killing Malcolm and Banquo’s son
became the only way for Macbeth to sustain his progeny’s throne. In Act
IV, Lady Macbeth’s powerful personality began to disintegrate, leaving
Macbeth increasingly alone. Macbeth supplanted his wife and became a
murderer. It was contradicted with the meek personality Macbeth had
display in the beginning of the play. This time, the ambition had made
Macbeth become blind of morality and decency. He would annihilate anyone
who prevented his way to the kingship.
In Act IV, Scene 2, Macbeth took action
to prevent Macduff's threat toward him. Macbeth killed Lady Macduff
and her son. When Lord Ross told this calamity to Macduff, the flame
of enmity pervaded his mind. Macduff swore that he will try
his best to kill this demon, "Within my sword's length set him./ If he
'scape, heaven forgive him too." In this scene, Macbeth became
benumbed for killing people, he even kill the people, i.e., Lady Macduff
and her son, these two were not Macbeth's political opponent and Macbeth
wanted to kill them only because he wanted find out Macduff.
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Act IV
Glossary
brinded: brindled, striped hedge-pig:
hedgehog harpier: perhaps the Third Witche’s familiar
howlet: owlet, smalll owl birth-strangled: i.e., killed as soon as born
drab: whore thick and slab: viscous chaudron:
entrails bladed cron: wheat not yet fully ripe
warders’: watchmen’s nature’s germens: the
seeds from which everything springs sicken: becomes
nauseated sweaten: sweated armed head: a
helmeted head chafes: becomes irritated mortal
custom: a normal death eight kings: eight
kings os Scotland, including James VI (a supposed descendant of Banqup),
who in 1603 also became James I of England other: i.e.,
second twofold: double (signifying England and Scotland)
sprites: spirits antic round: fantastic dance
aye: forever without there: i.e., you who are
outside anticipat’st: prevents, forestails the flighty
purpose…with it: i.e., purposes are so fleeting that they escape
unlwss accompanied by acts that fulfill them our fears do make us
traitors: perhaps, fear, leading to his flight, makes him a traitor
coz: cousin, kinswoman school: control the firs
o’th season: the violent disturbances in climate for
thee: for a child swears and lies: Lady Macduff
defines a traitor as one who swears an oath of loyalty to a sovereign and
then breaks it; the oath, then is a lie. Her son seems to take "swearing
and lying" as general use of profanity and failing to tell the truth
in your state of honor I am perfect: I know you well as a noble lady
do worse: i.e., physically abuse you which is too nigh:
i.e., such savage cruelty is all too near mortal: deadly
like syllable: the same sound honest: honorable
and wisdom: i.e., and consider it wisdom recoll/ In an
imperial charge: the general sense is "give way under pressure
frm a king." The image is that of a gune, loaded, or charged, with powder
and shot, recoiling upon itself. The brightest: i.e.,
Lucifer, brightest of the angel, cast from more suffer:
shall suffer more succeed: i.e., succeed to the throne
particulars: various kinds luxurious: lecherous
continent: chaste; also, restraining will:
lust, carnal appetite convey…plenty: secretly conduct your
pleasures on a large scale cold: chaste; or , indifferent
affection: disposition stanchless: insatiable
his jewels: the jewels of one subjecy the
sword…kings: i.e., the cause of the death of our slain kings
folsons: plentiful supplies of your mere own:
from your royal property alone with…weighed: balanced against
other qualities that are virtuous as: such as
lowliness: humility confound: destroy
untitled: i.e., unentitled, usurping interdiction:
i.e., censure mine own detraction: my detraction of
myself unknown to woman: i.e., am a virgin
warlike: equipped for battle forth: i.e.,
out of his private rooms stay: await
convinces…art: conquers the efforts of science
presetly: immediately the evil: i.e., scrofula,
or "the king’s evil," so-called becaouse the king was thought to have the
power to heal it with his touch strangely visited: i.e.,
afflicted by this strange-disease mere: total, utter
virtue: power betimes: soon relation:
report out: i.e., in arms, in rebellion
doff: put off, get rid of surprised:
captured without warning quarry: heap
pull…brows: a conventional gesture of deep sorrow
hell-kite: evil bird of prey intermission: delay
our…leave: we lack nothing now except to take leave (of
the king) put on: perhaps, take upon themselves: instruments:
perhaps, instruments of war dispute: fight against
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Thanks for Macbeth, published by Folger Shakespeare
Library providing the
resources
Famous Quotes From Macbeth Act
IV
"Double, double toil and trouble; fire burn, and
cauldron bubble."
-By the Weird Sisters (Act IV, Scene
1)
"I’ll make assurance double
sure…"
-By Macbeth (Act IV, Scene 1)
"Angels are
bright still, though the brightest fell."
-By Malcolm (Act
IV, Scene 3)
"At one fell swoop?"
-By Macduff (Act IV, Scene 3)
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-By Xi Cao
1) A Diary
from Macduff
March 12,
1603 England Cloudy
Day
Country First or Family
First?
I feel ambivalent for my family and my country. These two things
are all paramount in my lifetime. I can’t determine which one is more
significant for me. Right now I am tearing into two parts, one for my wife
and son, one for my citizens. When I faced to my family I can’t forget my
suffering citizens under the despot-Macbeth. When I faced my country, my
decorous wife and arch, bright son would appear in my suppressed mind.
Oh, god! Please help me, let me become two identical individuals,
one for my "big menage," one for my "small home". But my hope did not come
true. I am lacerating with myself incessantly. I choose my country
indubitably, there were hundreds of thousands people waiting me to rescue
them from the hell. Sorry! My wife and son, I need to carry my mission on,
I know my leaving will put you in danger, so raise your fortitude and
plucky spirit, wait for you husband and father come back to stay with you
forever...
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2) Examples and
Interpretations of Ten Literary Elements from Macbeth
|
Literary
Elements |
Examples |
Interpretations |
From
(Text) |
|
Metaphor |
"Upon my head they placed a fruitless crown
and put a barren scepter in my grip." |
On my head they placed a sterile crown and in
my hand I hold a seedless scepter. |
Act III, Scene 1 Line 62 to
63 |
|
Irony |
"Duncan is in his grave; after life’s fitful
fever he sleeps well, treason has done his worst; nor steel, nor
poison…nothing can touch him anymore." |
Duncan is in his grave. After an eventful
life he sleeps peacefully. Treason has done its worst. Neither
sword, nor poison, nor revolutions in this land, nor foreign foes
can touch him now. |
Act III, Scene 2 Line 24 to
28 |
|
Hyperbole |
"With twenty trenched gashes on his head, the
least a death to nature." |
Lying in a ditch with twenty trench-like
gashes in his head. Even the least of them would have been
fatal. |
Act III, Scene 4 Line 27 to
28 |
|
Simile |
"Approach thou like the rugged Russian bear,
the armed rhinoceros, or the Hyrcan tiger." |
Approach me like a Russian bear, a horned
rhinoceros or a fierce tiger. |
Act III, Scene 4 Line 101 to
102 |
|
Personification |
"Stones have been known to move, and trees to
speak." |
Gravestones have been move, and trees to
speak. |
Act III, Scene 4 Line 124 |
|
Rhythm |
"And the crow makes wing to the rooky wood;
good things of day begin to droop and drowse…thoy marvel’st at my
words, but hold thee still. Things bad begun make strong themselves
by ill." |
The good things of the day begin to droop and
feel drowsy while the night’s black agents prepare to hunt their
prey. You marvel at my words! But there’s more: ‘Things with a bad
beginning only get stronger with more of the same. |
Act III, Scene 2 Line 54 to
58 |
|
Figurative speech |
"Whose heavy hand hath bowed you to the
grave…" |
When his tyranny has bent you to the
grave… |
Act III, Scene 1 Line 90 |
|
Symbolic |
"I am in blood stepped in so far
that…" |
I am in the river of blood… |
Act III, Scene 5 Line 137 to
138 |
|
Repetition |
"O, treachery! Fly, good Fleance, fly, fly,
fly!" |
Treachery! Run, Fleance, run, run,
run. |
Act III, Scene 3 Line 22 |
|
Image |
"We have scorched the snake, not killed it.
She’ll close and be herself, whilst our poor malice remains in
danger of her former tooth…" |
We scorched the snake, but didn’t kill it. It
will come back and give us its requital. |
Act III, Scene 2 Line 15 to
17 |
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Critical Analysis
-By Xi Cao
Critical Analysis-
Supernatural power or ambition that dominates Macbeth's
decisions?
Macbeth, from
a venerable hero of Scotland to a notorious villain, does supernatural
power, or Macbeth’s ambition dominates his decision? In fact they both
make effects, as well as other factors.
Supernatural
power "insinuated" Macbeth to approach his goal. At the beginning, Macbeth
met the Weird Sisters; their prophecy, which declared that he would become
the King of Cawdor, roused his sunken aspiration of becoming a king.
At this moment, supernatural power let Macbeth’s ambition triumphs his
probity in order to make he achieves his mandated regality
venomously. When Macbeth nominated two of his murders to kill
Banquo, there was third murderer appeared to help the two murderers to
kill Banquo. This third murder was considered as supernatural power, which
helped Macbeth achieved his contemplative murdering.
The witches
led Macbeth to a tragic road, it was architected by The Three Witches, but
also by Macbeth's own aspiration of the kingship. Macbeth’s ambition
was the most significant fact that made him a contemptible villain.
It took away his fame and destructed his reputation. If he has no
ambition to become a king, he would be apathetic about the kingship and
considered the Three Witches’s prophecy as a blather or gibberish.
However, Macbeth had the ambition, it was hid for many years. His status
was the second highest in the country, Macbeth wanted to be first highest
person because of his remarkable contribution as a general. The
Three Witches’ augury made Macbeth’s ambition unequivocal and it gave him
an excuse for his betrayal. The prophecy pushed Macbeth to act
cruelly to kill people who hamper his progress of being a king.
There is
another crucial factor predominates Macbeth’s decision, Lady Macbeth. Lady
Macbeth was an atrocious woman. In some considerations, Lady Macbeth was
more ambitious that her husband. When she perceived the Macbeth would be
the King of Cawdor, she decided she would try any way possible to
accomplish the prophecy. Macbeth, in other hand, emphasized his wife’s
thought. When he planned to give up his sinful killing, Lady Macbeth would
consider him as a coward. In the early of the scenes, Macbeth is a puppet
of Lady Macbeth in order to get her a higher position.
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Interpretations
-By Xi Cao
1) Interpretation of Macbeth's soliloquy from
Act Two, Scene 1. ("Is this dagger which i see before me...Words to the
heat of the deeds too cold breath gives")
2) Interpretation of Macbeth's soliloquy from Act
Three, Scene 1. ("To be thus is nothing But to be safely thus...Rather
than so, come fate into the list and champion me to the utterance! Who is
there!")
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1) Interpretate
Macbeth's soliloquy from Act Two, Scene 1. ("Is this dagger which i see
before me...Words to the heat of the deeds too cold breath
gives")
|
Soliloquy
(From the Text) |
Interpretation |
|
Is this a dagger which I
see before me, The handle toward my hand? Come, let me clutch
thee. I have thee not, and yet I see thee still. Art thou not,
fatal vision, sensible To feeling as to sight? or art thou
but A dagger of the mind, a false creation, Proceeding from
the heat-oppressed brain? I see thee yet, in form as
palpable As this which now I draw. Thou marshall'st me the way
that I was going; And such an instrument I was to use. Mine
eyes are made the fools o' the other senses, Or else worth all
the rest; I see thee still, And on thy blade and dudgeon gouts of
blood, Which was not so before. There's no such thing: It is
the bloody business which informs Thus to mine eyes. Now o'er the
one halfworld Nature seems dead, and wicked dreams abuse The
curtain'd sleep; witchcraft celebrates Pale Hecate's offerings,
and wither'd murder, Alarum'd by his sentinel, the wolf, Whose
howl's his watch, thus with his stealthy pace. With Tarquin's
ravishing strides, towards his design Moves like a ghost. Thou
sure and firm-set earth, Hear not my steps, which way they walk,
for fear Thy very stones prate of my whereabout, And take the
present horror from the time, Which now suits with it. Whiles I
threat, he lives: Words to the heat of deeds too cold breath
gives.
|
I can’t grab the dagger
but I still see it there. It is so realistic in my mind which I
could feel the sharpness of it. It can be see but can’t be touched.
Is the dagger just an illusory, fictitious image in my tumultuous
mind? No, no, no, the dagger is palpable; it is just as palpable as
the dagger I now draw from my sheath. It is an auxiliary weapon I
was going to use in order to help me to accomplish my goal and
ambition in the future. My eyes are being ridiculed! Or are they
worth more than my other senses combined. It is still there! Now the
dagger is spattered and smelted in my sanguinary soul. The
crimson,bloody business that fills my mind is making me see this.
Half of the people are sleeping, wicked dreams control the deep,
sinister willing of man. Witches sacrifice their offering to Hecate.
Howling wolves tell murderers now is the time and serenade Tarquin
as he stalks his prey. The earth mustn’t hear my footsteps now, even
the stones mustn’t be allowed to betray my whereabouts. No one can
see through the vicious dagger beneath my pretension of devoted
heart. Nothing must detract from the deed. Now is the time! The time
take the power that god mandates to me. All this talk only prolongs
his life. It is a confidence between me and my benumbed, callous
heart. How words cool the heat of the
moment!" |
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2) Interpretation of Macbeth's
soliloquy from Act Three, Scene 1. ("To be thus is nothing But to be
safely thus...Rather than so, come fate into the list and champion me to
the utterance! Who is there!")
|
Soliloquy (From the Text) |
Interpretation |
|
To be thus is
nothing;
But to be safely
thus. |
To be simply king is not
enough for me, I must make my regality fixed. |
|
Our fears in Banquo
Stick deep; and in his
royalty of nature
Reigns that which would
be fear'd: 'tis much he
dares; |
We must be vigilant of
Banquo, he is a plucky man filled with
fidelity |
|
And, to that dauntless
temper of his mind,
He hath a wisdom that
doth guide his valour
To act in
safety. |
He is a gallant man with
acumen, this avoids him to be a foolhardy
person. |
|
There is none but
he
Whose being I do fear:
and, under him,
My Genius is rebuked; as,
it is said,
Mark Antony's was by Caesar. |
He is the only one I
fear. I will be hampered if I stay together with Banquo. Mark Antony
felt the same way when he met Caesar just as my feeling when I met
Banquo. |
|
He chid the sisters
When first they put the
name of king upon me,
And bade them speak to
him: then prophet-like
They hail'd him father to a line of
kings: |
When the Weird Sisters
first said I would be king Banquo chided
them and insisted they foretell his future. Then like prophets they
hailed him father of a line of kings. |
|
Upon my head they placed
a fruitless crown,
And put a barren sceptre in my gripe,
Thence to be wrench'd with an unlineal hand,
No son of mine
succeeding. |
I am wearing a sterile
crown and holding a barren sceptre, these
all meant that I wouldn’t have posterity to carry on my regality
after I die. |
|
If 't be so,
For Banquo's issue have I filed my mind;
For them the gracious
Duncan have I murder'd |
If that is to be so, then
it has been for Banquo that I've murdered
a gracious king and haunted myself. |
|
Put rancours in the vessel of my peace
Only for them;
|
I do this entire vicious
thing for Banquo’s
descendants? |
|
and mine eternal
jewel
Given to the common enemy
of man,
To make them kings, the
seed of Banquo kings! |
I've succumbed to the
temptations of Satan for Banquo and his
sons! No! |
|
Rather than so, come fate
into the list.
And champion me to the
utterance! Who's there! |
Rather than that I will
challenge Fate to the death! I will protect my position and receive
greatest harvest from my assiduous
effort. |
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Questions and
Analysis -By Juan
Guerrero
Part 1) How does the play Macbeth fit in
with the term’s theme of illusion and reality, blindness and sight?
(Plato’s Allegory of the Den, Sophocles: Oedipus Trilogy, The road not
taken) Please reflect on insights you have gained…or not…this
semester.
The play Macbeth as the
other plays and stories read throughout the term, relate closely to the
theme of illusion and reality in which all of them use apparitions and
sights to explain their main idea. For example Plato’s Allegory of the Den
reflects the idea of how people sometimes can be blinded by reality. Then
there’s a point where someone gets to see how the real world is and it can
sometimes have a great impact on him and on those who he tells. In
Oedipus Rex: Trilogy you can see how its characters try to escape fate,
but sooner or later fate will reach up to you and surprise you. This is
what was proven in the play when Oedipus tried to escape from what the
Oracle at Delphi had told him, but later on he found himself caught up in
what was supposed to be his destiny yet ending his life in the way the
gods had decided. After all the plays read in class, it has changed me
a lot in which it has made me think on how the world really is and how it
does relate to the information given. Now thanks to Ms. Shore and how she
has taught me I see things how they really are, because sometimes as a
human you are “blinded” by something and you need that extra touch to make
you realize the truth. I am thankful for this and to say the truth I
enjoyed the class a lot, it has made me mature more than what I was and
given me a new way to reflect on life and things. I will leave school with
this knowledge and to be totally honest I hope I get to use this
information for my future life, thanks Ms.
Shore.
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Part 2) Fill in the right
names:
In the story of Macbeth,
Malcolm
enters the play as a heroic fighter who defends the Scottish King Duncan
against his Norwegian foe who is being aided by that traitorous Scottish
Thane Macdonwald.
Macbeth gains another thanedom as a reward for his military successes but
assumes it is gotten through the supernatural help of The Three
Witches. Macbeth is pushed by Lady Macbeth
to become a traitor himself. The slain king’s sons run off in well
deserved fear
Malcolm to England and Donalbain to
Ireland. As an example of the brutal tyranny of King Macbeth, we witness
the tragic murders of Lady Macduff
and their
sons. It is only when Macbeth faces off with his nemesis Fleance who
fights for the rightful king, Malcolm, that Macbeth
falls.
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Part 3) Pick any 3 of the following quotations.
Who said it? To whom? Give act, scene, and line. What does it reveal about
the character who is
speaking?
“Fair is foul, and foul is fair” By:
Witches To: Themselves Here the witches are talking themselves about
where to meet Macbeth and tell him part of his
future.
“Is this the dagger, which I see before me, the
handle toward my hand?” By: Macbeth To: Lady Macbeth Here
after Macbeth has committed the murder of King Duncan he sees this dagger
which represents the action he has
done.
“Come you spirits that tend on mortal thought,
unsex me here” By: Lady Macbeth To: Herself Here Lady
Macbeth talks to herself and sounds crazy when she starts planning the
death of King Duncan by using her own husband for the
murder. Go To The
Top
Bibliography:
The background image
is based on the flowing source:
http://www.american-pictures.com/genealogy/descent/photos/Macbeth.2.jpg
The images on
Macbeth Newspaper are based on the flowing source:
http://www.bencelstudios.com/images/Artwork/king.jpg
http://ishtarg.cdemusic.org/macbeth/Banquo-2.jpg
http://www.tate.org.uk/collection/T/T00/T00733_9.jpg
http://www.theatrehistory.com/british/macbeth.jpg
http://x5452.landeck-manor.de/026_022.jpghttp://www.notfallseelsorge.de/Bilder/Funeral%20%20Judge%2005.jpg
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